Marks AKA Banco de Gaia, started playing regularly at Club Dog in London
from about 1991 having developed a live show in his home town of Leamington
Spa and released 2 excellent self-produced albums Medium and (in 1992)
Freeform Flutes And Fading Tibetans. His unique and evocative blend of
electronica with world-music styles earned him a fast-growing and loyal
Banco de Gaia seemed an obvious next signing for Planet
Dog and the result was the release of the Desert Wind EP in 1993 followed
by the much acclaimed Maya album in 1994. Maya featured studio versions
of many of the tracks that had become the mainstay of Banco de Gaia's
live sets and consequently was an immediate hit with his growing fan-base.
The Heliopolis EP was also released in 1994, a track from which appeared
on Sasha and Digweed's ground-breaking Northern Exposure compilation the
1995 saw the release of the immensely popular Last Train To
Lhasa album to huge critical acclaim across Europe as well as the US and
Canada. The skilful blend of sounds on Last Train To Lhasa produced a
timeless release that was one of the 'must have' albums of that year and
limited edition versions of the release (featuring bonus mixes) now change
hands for huge sums on the internet. The album release was supported by
EP releases featuring other mixes of Last Train to Lhasa and Kincajou.
Live At Glastonbury was released in 1996. Featuring a storming set recorded
in front of a large and enthusiastic crowd at the Glastonbury Festival
in 1995, the album consolidated what had been a period of huge growth
in Banco de Gaia's standing within the dance community and gave Toby a
breathing space to work on his next studio album.
The result, Big Men
Cry, released in 1997 was a deep and very personal album featuring many
timeless and deeply moving tunes. The simultaneous release of Big Men Cry both across Europe and in the
US, gave Toby the opportunity to
completely revamp what had up till then, been a one-man live show. His
already massive reputation for stunning live performances was enhanced
by the creation of a 5 piece band to enable Banco de Gaia to perform Drunk
As A Monk as 'live' as possible. Enhanced with a specially designed lightshow,
the band toured the US and much of Europe over the next year, securing
a reputation for quality music that has endured to this day.
Banco de Gaia parted company with Planet Dog Records
in 1998 and went on to set up his own Disco Gecko label through which
he has released a further 5 albums to date. He still plays live and up
to date information as well as an extensive open chat forum can be found
at his website at http://www.banco.co.uk
Click here to see Banco de Gaia's discography.